INTRODUCING HUGH MACLENNAN'S TWO SOLITUDES
Linda Leith
Toronto, ECW Press, 1990. 92pp, cloth, $18.95
George Woodcock
Toronto, ECW Press, 1990. 67pp, cloth, $18.95
Volume 19 Number 3
As Canadian fiction has gained acceptance in the curricula of literature courses, the demand for supplementary literary criticism has emerged. Once again, ECW Press has risen to fill a gap with a series of short, novel-specific reader's guides, "Canadian Fiction Studies" (see also the review of Introducing Margaret Atwood's Surfacing by George Woodcock and Introducing Timothy Findley's The Wars by Lorraine M. York on page 184 and the review of Introducing Sinclair Ross's As for Me and My House by George Woodcock and Introducing Farley Mowat's The Dog Who Wouldn't Be by Lorraine M. York on page 185). The Apprenticeship of Buddy Kravitz by Mordecai Richler (1959; Penguin Books, 1973) and Two Solitudes by Hugh MacLennan (Collins, 1945; Macmillan, 1986) are regularly studied by secondary and post-secondary students. In these two recent volumes in the "Canadian Fiction Studies" series, George Woodcock and Linda Leith, both critics of solid reputation, provide concise critical introductions to the two novels. The series follows a standard format: a chronology; a discussion of the novel's importance, context, and critical reception; an extended analytical reading of the text, focusing on language, theme and character; a selected annotated bibliography of secondary sources; and an index. Both Leith's and Woodcock's discussions are cogent and well argued and they offer particularly perceptive comments on characterization. In addition, both prove their measure as critics by refusing to lapse into nationalistic adulation and by offering full and impartial consideration of the novels' strengths and weaknesses. These slim, attractive volumes will prove a lure to students browsing the shelves for a quick critical read. Those expecting a simplistic "Coles Notes" type of introduction will be beyond their depth in these two volumes, however, for many of the ideas and arguments have a level of sophistication most suited to students with at least a rudimentary exposure to literary criticism. Louise Reimer, Edmonton Public Library, Edmonton, Alta. |
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