________________ CM . . . . Volume XVII Number 7. . . .October 15, 2010.

cover

The Truth About Delilah Blue.

Tish Cohen.
Toronto, ON: HarperCollins, 2010.
412 pp., pbk., $19.99.
ISBN 978-1-55468-586-8.

Grades 9 and up / Ages 14 and up.

Review by Darleen Golke.

***/4

   

 



excerpt:

Lila was calmed to the core. The truth about her father remained unchanged. He was, and always would be, the man she grew up believing him to be. The man willing to move the sun and the moon for the sake of his girl. Sure, he moved the sun too close and scorched the moon in the process. He wasn’t perfect. He was a criminal. But the man wasn’t evil.

Interesting too that his long-term memory was largely undisturbed. Though, she’d researched enough about Alzheimer’s in the past months to know the past was usually the last thing to go.

What stuck her after he’d finished his story, however, and she’d thought very little of it at the time, was that her mother had bought her another bike. Not three months after the accident, which – the doctor was right –Lila did not remember. They’d been on Yonge Street, passing the huge Canadian Tire store, so white and red and out of place in charming, upscale Rosedale. There in the parking lot, with lavender streamers waving from the handlebars was a white girl’s bicycle with purple racing stripe along the frame.

If she’d known, if her parents had told her about the accident and explained she was not to ride a bike until the following spring, if they’d revealed where on earth her own bike had gone, Lila wouldn’t have begged. She wouldn’t have crossed her arms, dropped down on the hot pavement right there in the stream of Torontonians flowing in and out of the store, and announced she wanted that bike more than anything else on earth.

Then Elisabeth, being Elisabeth, wouldn’t have pulled out her wallet and said, “Then you’ll have it. No child should be without a bike.”

Elisabeth and her hippie parenting.

It was against the hospital’s orders. Victor, being Victor, was far too paranoid to let her risk another fall. Maybe he’d planned it, maybe he’d snapped, but he grabbed Lila and fled.

He thought he was saving her life.



Lila Mack and her father, Victor, live in Los Angeles, having abandoned Toronto 12 years earlier, shortly after Lila’s eighth birthday. Victor Lovett, concerned about an upcoming joint-custody review with mercurial and artistic Elisabeth, kidnapped Delilah Blue and fled to California, bought a “ramshackle cabin in the Hollywood Hills, enrolled his daughter in the local public school,” changed her name to Lila and their last name to Mack, and told Lila her mother needed “quiet time” that became “twelve birthdays without phone calls, twelve Christmases without cards, too many missed bedtimes to count; it was as if having a mother never happened.” Now at 20, Lila seriously questions her self-worth. “You became one of those people who radiated worthlessness. You became a living, breathing, walking – and in Lila’s case, drawing, painting, getting naked - tragedy,” she concludes. She decides to volunteer as a nude model at L.A. Arts in Live Drawing 101 in an attempt to earn a fine arts degree by osmosis because Victor flatly refuses to finance art studies.

     Elisabeth, who has spent years looking for her lost daughter, visits California, sees one of the graphic nude sketches in a gallery, recognizes Lila, and tracks her down at L.A. Arts. The moment Lila has dreamed of for 12 years arrives: “When a child spends a lifetime, or close to it, waiting for one specific moment, something magical and faraway with the power to set her entire world straight, she imagines that someday from up, down, and sideways.” However, “someday was doomed the moment you wished it into existence. You’ve already ruined it. By imagining it even once, you’ve created an expectation someday cannot possibly live up to.” Surprising revelations follow: Lila learns she has a seven-and-three-quarters-year-old half sister, Kiernan. Most shockingly, Lila learns that Victor actually kidnapped her 12 years earlier, that Elisabeth conducted an unsuccessful North America-wide campaign to find her missing daughter, and now fully intends to prosecute Victor for his actions.


     Victor, who has been experiencing serious memory loss, refuses to explain his actions to Lila simply admitting, “I took you away from your mother,” and insisting, “I’m not quite prepared to talk about the past just now.” Only later does he offer Lila insights into his reasons after he witnesses a random act that triggers the terrifying memory of Lila’s bicycle accident. That recall, coupled with the results of his medical evaluation of early-onset Alzheimer’s, compel Victor to carry out a plan he has been formulating as he acknowledges his dementia and looks to his and his daughter’s future. He surrenders to police, admits his crime, and counts on their sending him to a psychiatric facility where he appears perfectly contented.


     Victor, who has been experiencing serious memory loss, refuses to explain his actions to Lila simply admitting, “I took you away from your mother,” and insisting, “I’m not quite prepared to talk about the past just now.” Only later does he offer Lila insights into his reasons after he witnesses a random act that triggers the terrifying memory of Lila’s bicycle accident. That recall, coupled with the results of his medical evaluation of early-onset Alzheimer’s, compel Victor to carry out a plan he has been formulating as he acknowledges his dementia and looks to his and his daughter’s future. He surrenders to police, admits his crime, and counts on their sending him to a psychiatric facility where he appears perfectly contented.


     As Lila spends time with her mother, she comes to understand that “Elisabeth had always been the child herself” in need of parenting, “a self-absorbed child, cunning and insecure, and too bewitching for her own good,” a casual, even neglectful parent. Lila decides “it was time for someone in this threesome to step up and be the adult,” especially for Kieran’s sake. Lila, the outsider who feels worthless, becomes Delilah Blue, a take-charge young woman, who with Victor’s approval, facilitates moving Elisabeth and Kieran to the Hollywood Hills house to “step in as unofficial, unasked-for guardian of her sister” and her mother.


     An unusual coming-of-age tale, the novel unfolds from Lila and Victor’s points of view with flashbacks to 1996 in the weeks preceding Victor’s snatching Lila and relocating to California. The transitions do not always work smoothly, but Cohen does focus on revealing the “truths” Lila must learn to move on as a fully-realized character. She works at conquering her ambivalence, loneliness, and lack of confidence in spite of having one parent whose cognitive function is deteriorating and one who is wholly self-absorbed. Nevertheless, in spite of their shortcomings, both parents love their daughter. The novel touches on issues like family dysfunction, divorce, child abduction, parenting styles, Alzheimer’s disease, narcissism, neuroticism, artistic ambition, as well as artistic pretension, emotional immaturity, childhood, and coming of age, among others. Cohen deftly creates believably flawed characters, none of whom is especially appealing yet each manages, to some extent, to engage the reader’s interest. The prose flows smoothly and descriptively despite the occasional awkward metaphor, and the narrative voice and plot twists carry the story forward with several detours along the path. A coyote named Slash, a NyQuil-quaffing artist and potential lover, an eccentric art instructor appear among the detours.


     The Truth about Delilah Blue straddles the young adult/adult genre divide, and despite the novel’s length and banal conclusion, readers who appreciate a quirky protagonist searching for understanding and meaning in her life will be engaged and entertained.

Recommended.

Darleen Golke, a recovering teacher-librarian, writes from Abbotsford, BC.

To comment on this title or this review, send mail to cm@umanitoba.ca.

Copyright © the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.
Published by
The Manitoba Library Association
ISSN 1201-9364
Hosted by the University of Manitoba.
 

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