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CM . . . . Volume XXIII Number 17 . . . . January 13, 2017
excerpt:
Ice storm damage to her favourite tree inspired Canadian author Mireille Messier to pen her new picture book, The Branch. Just as Messier loved her magnolia named Albert, the young protagonist in The Branch loves her tree and is devastated when it is damaged in a winter storm. Told from the first person perspective of a young girl, The Branch is a story promoting the value of cooperation, imagination, and persistence. Messier captures the authentic voice of a child experiencing an emotional roller coaster of loss: anger, doubt, discovery, hope, triumph, and joy. Messier's precise word choices create a vivid picture of a city in clean-up mode. Residents are described as "digging and scraping" as they collect fallen branches and pile them "like beaver dams in the city". As the girl says, with everything covered in ice, "it looks like the entire neighborhood has been wrapped in a heavy blanket of diamonds". She says it is beautiful but also a "little scary". One can almost feel "the splintery part of the trunk where the branch used to be" and the cold of the ice as the girl runs her fingers along the bumpy branch surface. Messier's writing is so skilful that readers are able to create such pictures in their minds it is almost unnecessary for the book to be illustrated. Fortunately, however, the book is illustrated. The wonderful written text is perfectly complemented by Pierre Pratt's artwork. The mixed media illustrations are boldly coloured. The dynamic, fluid compositions consist of swirling shapes made with thick brush strokes that add movement and interest to the book. The lavish colours reflect the chilly scenes where blues, greens, and white are contrasted against the orange brickwork, warm yellow and red coats, and the girl's pink boots. In the 1990s, Pratt won three Governor General's Literary Awards for his book illustrations. The Branch was also a worthy finalist for the award again in 2016. Just as Messier's words are good enough to stand alone, Pratt's art effectively tells the story by itself. Together, the whole is greater than the sum of its wonderful parts. One of the many pleasing aspects of the book is the respectful collaboration between the young girl and her elderly neighbour. They work together in a way that clearly is to the benefit of each of them. The Branch is appropriate for young readers but will similarly appeal to readers of all ages. Perhaps older readers will recognize within the broken branch and the story's conclusion a symbolic representation of the idea that if something is lost or broken, good can come from it. It is a story filled with hope. Highly Recommended. Dr. Gregory Bryan is a member of the Faculty of Education at the University of Manitoba. He specializes in children's literature.
To comment on this title or this review, send mail to cm@umanitoba.ca.
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