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CM . . . .
Volume V Number 10 . . . . January 15, 1999
A keen interest in history plus a gift for story-telling combine to make Janet
Lunn one of Canada's most highly acclaimed children's writers. Last year's
publication of The Hollow
Tree completed her trio of novels set during the American Revolution
that began with The
Root Cellar and Shadow
in Hawthorne Bay. In 1783, ten-year-old Charlotte's hometown of New
York is still suffering the aftermath of eight terrible years of fighting for
independence from Great Britain. Families and neighbours are bitterly divided
as some support the rebel cause and others remain loyal to the British king.
While Charlotte's father supports the rebels, his brother, Charlotte's uncle
and father of her beloved cousins, Sally and Betsy, is a Loyalist.
Charlotte's father forbids her ever to see her cousins again, but, when
Charlotte finds out that Loyalist families are being sent away to the wilds of
Nova Scotia, she is determined to say good-bye to the girls. The punishment of
her defiance, a result of her father's fanatic devotion to the rebel cause, is,
at least for modern readers, shockingly harsh.
Charlotte is the true story of a young girl caught up in the terrible
fear and hatred that war, especially civil war, engenders. It is a grim story.
Although Charlotte survives as one of the three thousand refugees that landed
on the rocky shore of the St. John harbour, her life is forever changed. It is
not a tale to be read to the very young. Nor, without a proper introduction,
will it be appreciated by a majority of elementary school readers. Grade six
students who have studied the Loyalists, or those readers who have enjoyed
The Hollow Tree and The Root Cellar will be more likely to
understand and appreciate the story of Charlotte.
Brian Deines' realistic paintings portraying 18th century New York show careful
attention to the architecture, furniture and clothing of Colonial America. He
does not, however, do as well with the faces of Lunn's characters, all of whom
have a disappointing similarity of feature and expression. Although each
illustration highlights a significant event of the story, there is a curious
stilted quality to the figures portrayed. Deines is at his best in his
carefully detailed depiction of buildings and landscapes and his use of soft
and warm colours. Each of his paintings gives the reader a sense of
authenticity as this true tale of a girl torn between the people she loves most
unfolds.
Charlotte is a picture book which exemplifies the new "E" for
"Everybody," rather than the older "E" for "Easy" categorization in the school
library. It will certainly hold more appeal for upper elementary and middle
school students, and it deserves a place in the growing collection of picture
books which depict the past with accuracy and authenticity.
Recommended with reservations.
Valerie Nielsen, a recently retired Winnipeg, Manitoba,
teacher-librarian, co-chairs the MYRCA Committee.
To comment on this title or
this review, send mail to cm@umanitoba.ca.
Copyright © the Manitoba Library Association.
Reproduction for personal use is permitted only if this copyright notice
is maintained. Any other reproduction is prohibited without
permission.
Published by
TABLE OF CONTENTS FOR THIS ISSUE - JANUARY 15, 1999.
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