The Halifax Explosion: 6 December 1917, at 9:05 in the Morning
The Halifax Explosion: 6 December 1917, at 9:05 in the Morning
And the City of Halifax gave one long piercing scream
Into the bowels of the Earth
And the Earth moved furiously
Belched and vomited flames
Halifax destroyed
Halifax shattered
Richmond and Tuffs Cove obliterated
2000 dead
6000 homeless
9000 in various states of woundedness
More will die
The North End in flames
Viola Davis, later Desmond, only three years old
Is thrown from her high chair in her parents’ home, on Gottingen St.
She will live to overcome another struggle
And Clement Ligoure, a Black doctor from the island of Trinidad, sits in his house on Robie and North
Having breakfast
And when his teacup flies from his hand and smashes into the wall
And the plate of scrambled eggs, ham, and boiled potatoes is lifted up
into the air and crashes onto the ground, and when he too is lifted into the
air and lands violently onto the divan, and when he hears the sound of fury outside, he knew something terrible had happened
And he called out to his assistant, described as a coloured woman,
“are you alright?”
And she answered yes, and he said “get ready, we have a long day ahead of us.”
Death and destruction roamed everywhere
Most people know a little about the Halifax Explosion and perhaps the name Vince Coleman from the “Heritage Minute”. Much of the aftermath of the ships Imo and Mont-Blanc colliding and exploding in Halifax Harbour on December 6, 1917, is well-documented, but more attention was paid to some aspects of the event than others. In The Halifax Explosion: 6 December 1917, at 9:05 in the Morning, Afua Cooper brings attention to the devastation experienced by marginalized communities, as well as their contributions in the aftermath, including stories like that of Dr. Clement Ligoure who ran a private clinic because, at the time, Black doctors were not allowed to work in hospitals, and, yet, he didn’t think twice about running to help those who needed medical attention, many of whom would have supported that exclusion policy.
By Cooper’s using a mix of colourful, lively drawings and historical photos, readers get the full history of the explosion through well-known photos alongside drawings depicting people and events that weren’t well recorded in the aftermath of the explosion and are often omitted from history. The text, varying in size and font, guides readers, showing them where the author would emphasize and fade when reading the text aloud. For those who prefer to read the poem without illustrations or suggested emphasis, the poem is included at the back of the book in plain text. The book ends with a historical note about how Black and Indigenous communities have often been left out or ignored in accounts of the Halifax Explosion, and how the author was intentional in focusing on these communities, bringing locations and people back into the story of the Halifax Explosion.
Cooper puts a face and name to some of those often referred to only as casualties or survivors of the Halifax explosion. By Cooper’s giving names to people lost, people like Aldora Andrews, a child who was killed, and Edward Hickey who was survived by his wife Rose and their three children, readers will better understand the full impact of the 2000 lives lost. In Cooper’s naming individuals who survived but were left with nothing or whose injuries changed their lives forever, the impact the explosion had on Halifax’s residence becomes more real, and attention is drawn to people and communities who have often been left out of the story of the Halifax Explosion.
The Halifax Explosion: 6 December 1917, at 9:05 in the Morning offers a passionate retelling of the events leading up to and after the explosion while taking time to look more closely at people who often go unrecognized in history, as well as communities that are often overlooked when recounting the damage caused by the event. Weaving archival photos and drawings together does an excellent job showing what’s recorded, along with stories about individuals who don’t get the attention they deserve. Especially poignant is the detail about how Viola Desmond, now recognized on the ten-dollar bill for her contributions as a civil rights activist working to end segregation, was thrown from her highchair in the explosion. Readers will be inspired to pause and consider how different Canada would be if Desmond hadn’t survived the explosion, and what those victims who remain nameless may have achieved had they survived.
While the images and fonts give readers a clearer picture of the Halifax Explosion and how to read the poem, having the poem in plain text at the end of the book, thereby allowing readers to add their own emphasis and draw their own images, is an excellent touch. The historical note at the end will help those familiar and unfamiliar with the Halifax Explosion better understand the importance of the poem and may inspire many to do their own research on the Halifax Explosion, and perhaps other events in Nova Scotia and across Canada where stories of individuals or communities were excluded and need illuminating.
The Halifax Explosion: 6 December 1917, at 9:05 in the Morning is passionate and thought-provoking. An engaging read, whether read in a classroom or a commemorative event or just as a personal read, The Halifax Explosion: 6 December 1917, at 9:05 in the Morning has the potential to spawn important and necessary conversations.
Crystal Sutherland (MLIS, MEd (Literacy)) is a librarian living in Halifax, Nova Scotia.